Sunday, May 28, 2017


A Diary: Gold Bunny
By Nou
Gold Bunny is a sketchbook. Pictures of graffiti make up its limited page count. But it is the way in which these images interact, and react, to the surfaces they are being created on that is at the heart of Gold Bunny. There are two surfaces Nou’s art appears on, those created through physical mark making on public surfaces, and those created through the acquisition of public resources as a surface for mark making. Ink infused onto concrete, and stickers adhered to stop signs. It creates the question of a narrative. Texture as a form of appropriation and art. A condensed version of a city wide art project, a comic made up of photos of images being made, and of images already made. The thought of mass consumption made out of white out and stolen postal stickers.


Clean Sweep

Lines printed on paper as delicate as capitalistic interests will allow the receipts of their transactions to exist on. The infinite scroll recreated within a finite number of inches, but requiring you to be careful at every moment of its unraveling or else it will tear from the sheer presence of your touch.


Christmas In Prison
by Conor Stechschulte

The binding of this book is so tight it seems to be trying to close itself in your hands.
Keeping the pages open becomes an active pursuit.

A book of a dozen titles, Christmas In Prison is a disjointed work of obsession filtered through a collection of odds and ends. Every page of every story reads like the idea of someone trying to figure out what exactly comics are, and can be.


The Future of Art 25 Years Hence
by Gary Panter

Watercolors or film overlays. Otherworldly vehicles and art theory discussed by half wits and geniuses. Panter drops a gem of a comic between the advertisement filled pages of an art magazine that buried it in the back pages.


Blaise Larmee1
By Blaise Larmee

(You can no longer read this comic online)

Two pixels by two pixels, grey and white boxes show a screen loading as slow as a dial up connection.


A Slug traverses the entirety of this comic.

Not a figurative slug, or the metaphor of a slug, but a literal slug. Moving from the upper edge of the panel to the bottom. Sequenced through a series of photographs of a single repeating panel, Larmee reconfigures the way the reader interacts with a comics panel. Every second the slug inches towards the right side of the page a new photo is taken, creating a new way to interpret the the weather battered image.

Angles and rain damage.


Tuesday, March 28, 2017

Interview: HTML Flowers

Corporate logos appear throughout No Visitors. How do you feel about medical care being used as a venue for advertisement?

i grew up going to the ronald mcdonald house for sick kids, at some point when i was older i realised the conflict of interest there. Being a corporation that by many accounts does nothing to aid society and a lot to fuck it over for it's own interests... we're the band aids, sick kids are used to make these super powers seem socially responsible. I Was A Disabled Child Mascot For Ronald McDonald.

it's a necessity for hospitals to accept corporate funding & collaborate with major conglomerates because we as a society have decided to say yes to governmental policy that believes there should be a limit to the funding afforded to medical industries and venues. i'm disgusted by the need for any charity at all. tax Mayor McCheese & free the sick.

Is drawing over medical paperwork an act of vandalism, an artistic gesture, or just the utilization of available resources?

i guess it's like reclamation. forcing these little sterile documents that archive the maintenance of my rotting body to acknowledge me, who i am. cheesy i kno. also tho sometimes ur just bored waiting for a test or operation so u just start drawing on forms u find and shit. sometimes u gotta sit around waiting for up to four or five hours to get x-rays etc. and because of insurance reasons u can't leave the bed they have u in sitting in some fucking dank hallway with some orderly watching u so u borrow a pen and draw on whatevers around.   

In No Visitors and your work on Werewolf Jones and Sons their is a strong dislike exhibited towards institutions, but while Werewolf Jones is able trash the principal's office after he questions his ability to parent, Little seem unable to perform a similar act of catharsis when it comes to the hospital.  How do you think these institutions play into these responses?

lol strong dislike of institutions is my brand, my social worker says i have an oppositional defensive attitude towards all forms of authority.

Little doesn't have the same options as WWJ, if Little alienates the hospital staff too much or committed aggressive acts towards his "carers" he would receive substandard care, in the least, or worse be banned from the hospital altogether and it wouldn't stop there, wherever he went after that he would be marked as a violent, aggressive patient. also WWJ acts almost entirely on impulse and doesn't give a fuck about jaxxon & diesel's formal education. i exposed my drip and spit at a gang of fucks who were gonna beat me up when i was out for a walk near my hospital like 9 years ago (lol my hospital is in a bad neighbourhood) which is where that came from. it really worked lol.

There's a greater focus on storytelling in No Visitors #2 compared to your earlier work, has your thoughts on writing comics changed?

i started trying to really talk about my life in a simple, non fantasy manner. i wanted to build something, see myself changed or change things about my life that i can't go back and change. show people how painful, rare & sometimes beautiful life with a chronic illness is. No Visitors #1 is basically just scraps and shorts that were all a part of the lead up to developing Little & his lifestyle, in fact i don't really consider the series properly starting until No Visitors 2. i've been working up to this for years, now i've arrived and i feel so much myself. i feel like i'm really making the work i'm supposed to have always made in a weird way. lol destiny.

Is bluntness important to you?

extremely. tell a good story in an easy way is what i try and stay true to whenever i write.

Who are your top three cartoonists who have also leaked their own nudes?

Charles Burns for his pioneering use of baby oil, Dan Clowes for his commitment to #nofilter nudes only & of course who could forget Johnny "The Mole Rat" Ryan for his immaculately hairless body hiding underneath all that flannel.    

You can purchase No Visitors along with other work by HTML Flowers here.